Who is to blame for the production of junk movies and trash viewers?

On the 18th, @feng xiaogang, always known as the "little gun", was fired. "Is there a lot of garbage in the audience that makes so many trash movies?" feng said. ", "if you don't take this, it doesn't have room to live," but the status quo is "often the box office is high!"

Is there a chicken or an egg? That's a problem! Who is to blame for the production of junk movies and trash viewers?

Blame writers? If you know a little bit about the industry, Cheap nfl jerseys china, you know, people who don't have a reputation, people who don't know people, you write well, and nobody wants it. If you want to go on, you'll have to catch a knife, a ghostwriter, and a ghostwriter. Even if someone takes a fancy to your script, he takes it for a few words and then puts it in his own name. It's all right with you. The domestic current situation of the intellectual property you again not don't understand, and somebody else's professional plagiarism, team with professional lawyers, the court also acquaintance, and of all kinds of legal loophole MenQing, what do you think of a lawsuit odds geometry. Because of the high volume of TV series, there may be some way out for the scriptwriter. The industry is a tragedy. What good script could this industry have?

Blame investors or producers? Film from China's current situation, a film from the boot to overcome, average shooting period in the three months to half a year, if you don't need a specially preparing, from getting the script to project generally has a couple of months, and the director make late, administration of radio, film and television review, generally can be completed in about half a year. After the film is released, it will be offline almost within a month, so a movie investor will be able to return the money for up to two years. From this timeline, the time left to the creators is very little, and it is almost impossible to create a high-quality product in a short time.

But for this kind of "short and fast" way to make money, many private capital also appear to have the word: we are originally invested, the investment nature is to see the return. The movie boutique is the artist's thing, the word of mouth is not good, that is also the director's affair, the businessman can make money is enough. But you see, wong kar-wai's "the grandmaster" from the preparation to the production of the ten years; Yu feihong's directorial debut, cheap snapbacks, love has an afterlife, has been used for a decade from the script to the shooting. The French director asked Arnold to shoot Wolf totem, which took three years and seven years to complete the film.

Strange star? Domestic film market is basically rely on big director and star power, as it is, the star gets most of the money paid by the soaring in film production star gets higher. Some producers have given the poor quality of the film the excuse that the money is being paid to the stars and is rarely used in film production. But a movie that doesn't have a basic story logic is the key to winning audiences and getting word of mouth.

Favorite star, but now the young actors somehow, one by one without the stars of the past. The beauty of today's actresses is superficial, but soulless, and there is no such thing as an amazing aura. And the actor only play handsome cool, either a white "a little fresh meat," either shape good physique, but stand so much in the screen, photo again handsome, move up as stiff as zombies, also hard to let people like. What caused the actor to be so unmotivated?

Blame the market? At present, the flood of chicken soup in the film market, the proliferation of youth films, shows that the real earnest creators are less, and the greedy people are more perfunctory. The domestic film investment company only CARES about the movie rate of return, the movie wants to sell money, the big name director, the big name star, the advertisement marketing publicity, three is enough. It doesn't matter what the story is about, it doesn't matter if the audience isn't satisfied, it's ok to make money. From film investment companies to film production units, it's the idea that you can go to hell with a good movie.

Blame fraud? The movie businessmen want to more now is not how to create a wonderful film, but how to calculated taking his greater interest in the film, they began to steal the box office, ghost field constantly refresh movie box office, wholesale nfl jerseys, so as to change the vanity and interests of the business. Film in the "ghost" generally choose cinema nonoperating early in the morning or the middle of the night, dozens of minutes, arrange a false screening, to be on the "book" is a "full", or in the party and issuing party attendance high perpetrated by the prime time on my own, only one purpose, in a short time, high box office, stimulate the copycat crowd, illusion, on the power of manufacturing hot, in order to improve the opening week and subsequent row piece rate, also a disguised form by means of this kind of irregular squeeze the living space of other films.

There is a theory in economics is called good money after bad COINS, in the Chinese film market, that is the lack of line cinema, good word of mouth and bad rap's commercial, rely on the so-called star firmly occupy a lot of theater resources. Then came a strange phenomenon: "bad films go to heaven, good films do not box office".

At the end of the analysis, there was only one strange answer. If you look closely, there seems to be a problem in every production process of Chinese films. But if you blame the director, the actor, the writer or the audience, everyone seems innocent.

All this may be summed up or explained in the words "for whom the bell tolls".

"No one is a self-contained, isolated island.

Everyone is part of a vast continent.

If the wave washes away a rock,

Europe is down.

Like a cape lost,cheap nfl hats, 

Like your friend or your own territory.

Everyone's death is my sorrow,

Because I am a human being.

So don't ask for whom the bell tolls,

It will sing for you! "

It is said that the spirit of the craftsman, in fact, in any business, needs such a spirit, a spirit and attitude that dares to take a serious attitude to his work. In today's Chinese film market, there are too few "artisan" directors. We see often is such a kind of tie-in and status, not well-known director with several well-known actor, and is full of loopholes, lines of retarded enough to play, actor's affair between hype, simple after months of shooting, and so the film was born. In such a filmmaking environment, cheap jerseys, Chinese films are not tragic.